The Bayard Baldwinian

sonofbaldwin:

gradientlair:

Erykah Badu. If you don’t have all six of these albums, I am probably going to question our social media friendship. *rubs chin* 

I became a fan of Erykah Badu during an episode of New York Undercover in 1997 when I heard “On & On” played. In other words, she had me at hello.

Speaking of Erykah, you must read this paper, Queens of Consciousness & Sex-Radicalism in Hip-Hop: On Erykah Badu & The Notorious K.I.M. It examines the notoriously limiting binary of consciousness without sexuality vs. sexuality with consciousness, that people try to examine their music though, missing the fullness of their music. No country for patriarchal binaries!

Co-sign!

Oh and I have ALL these albums and definitely cosign

Source: gradientlair

anarcho-queer:

NYPD Data Proves White People Are More Likely To Possess Drugs Or A Weapon Than Racial Minorities When Stopped, Yet 84% of Stop & Frisk Victims Are Black/Latino
During the just-concluded trial on the New York Police Department’s stop-and-frisk program, the city argued that officers’ disproportionate targeting of black and Latino New Yorkers was not due to racial profiling but because each stopped individual was doing something suspicious at the time. The data, however, tells a different story: weapons and drugs were more often found on white New Yorkers during stops than on minorities, according to the Public Advocate’s analysis of the NYPD’s 2012 statistics.
White New Yorkers make up a small minority of stop-and-frisks, which were 84 percent black and Latino residents. Despite this much higher number of minorities deemed suspicious by police, the likelihood that stopping an African American would find a weapon was half the likelihood of finding one on a white person.

• The likelihood a stop of an African American New Yorker yielded a weapon was half that of white New Yorkers stopped. The NYPD uncovered a weapon in one out every 49 stops of white New Yorkers. By contrast, it took the Department 71 stops of Latinos and 93 stops of African Americans to find a weapon.
• The likelihood a stop of an African American New Yorker yielded contraband was one-third less than that of white New Yorkers stopped. The NYPD uncovered contraband in one out every 43 stops of white New Yorkers. By contrast, it took the Department 57 stops of Latinos and 61 stops of African Americans to find contraband.

It’s unlikely that the appropriate lesson to take from these findings is that stops of white people should increase because they are more likely to carry weapons and drugs. Rather, they suggest that police are excessively targeting minorities. Officers may be netting more successful stops of white New Yorkers because they are only likely to stop a white person when they actually suspect that person of committing a crime. Considering one officer’s testimony that superiors explicitly directed him to target young black men, minorities are judged by a much more flexible definition of “reasonable suspicion.”
In general, stop-and-frisk has proven to be remarkably ineffective; nearly 89 percent of all stops result in no charges. The city has also had to settle a surging number of civil rights lawsuits against police to the tune of $22 million in one year.

anarcho-queer:

NYPD Data Proves White People Are More Likely To Possess Drugs Or A Weapon Than Racial Minorities When Stopped, Yet 84% of Stop & Frisk Victims Are Black/Latino

During the just-concluded trial on the New York Police Department’s stop-and-frisk program, the city argued that officers’ disproportionate targeting of black and Latino New Yorkers was not due to racial profiling but because each stopped individual was doing something suspicious at the time. The data, however, tells a different story: weapons and drugs were more often found on white New Yorkers during stops than on minorities, according to the Public Advocate’s analysis of the NYPD’s 2012 statistics.

White New Yorkers make up a small minority of stop-and-frisks, which were 84 percent black and Latino residents. Despite this much higher number of minorities deemed suspicious by police, the likelihood that stopping an African American would find a weapon was half the likelihood of finding one on a white person.

The likelihood a stop of an African American New Yorker yielded a weapon was half that of white New Yorkers stopped. The NYPD uncovered a weapon in one out every 49 stops of white New Yorkers. By contrast, it took the Department 71 stops of Latinos and 93 stops of African Americans to find a weapon.

The likelihood a stop of an African American New Yorker yielded contraband was one-third less than that of white New Yorkers stopped. The NYPD uncovered contraband in one out every 43 stops of white New Yorkers. By contrast, it took the Department 57 stops of Latinos and 61 stops of African Americans to find contraband.

It’s unlikely that the appropriate lesson to take from these findings is that stops of white people should increase because they are more likely to carry weapons and drugs. Rather, they suggest that police are excessively targeting minorities. Officers may be netting more successful stops of white New Yorkers because they are only likely to stop a white person when they actually suspect that person of committing a crime. Considering one officer’s testimony that superiors explicitly directed him to target young black men, minorities are judged by a much more flexible definition of “reasonable suspicion.”

In general, stop-and-frisk has proven to be remarkably ineffective; nearly 89 percent of all stops result in no charges. The city has also had to settle a surging number of civil rights lawsuits against police to the tune of $22 million in one year.

A Life Well Suited: The Art of Manliness ⇢

alifewellsuited:

image

The Benefits of Building Your Vocabulary (And 5 Easy Steps to Doing It)

By Brett & Kate McKay

Today, we’re going to talk about removing another kind of filler from your speech (and your writing as well): empty words. Just like empty calories have the form of food but offer no nourishment…

iamjacks-completelack-ofsurprise:

Will Smith embarrassing Jaden has got to be one of my all time favorite things

Source: iamjacks-completelack-ofsurprise

gryffin-dyke:

fatflagrantfeminist:

thedarkchocolatedandy:

beam-meh-up-scotty:

Kanye West getting deep on twitter

SOLID.

this is why I love this man. 

Okay, if you don’t love Kanye, I question you and will forever until you learn.
I’ve never had a man ask me straight up if it was okay to use the word “bitch” even endearingly.
Not once.

i forever dislike anyone who doesn’t like kanye.

Source: elenacupcakegilbert

todaysdocument:

War Department General Order 143: Ordering the Creation of the U.S. Colored Troops, May 22, 1863

The outbreak of the Civil War set off a rush by free black men to enlist in U.S. military units. They were turned away, however, because a Federal law dating from 1792 barred Negroes from bearing arms for the U.S. Army. The Lincoln administration wrestled with the idea of authorizing the recruitment of black troops, concerned that such a move would prompt the border states to secede.  

However, following the Emancipation Proclamation and faced with dwindling white volunteers, black recruitment was pursued in earnest. Volunteers from South Carolina, Tennessee, and Massachusetts filled the first authorized black regiments. Recruitment was slow until black leaders such as Frederick Douglass encouraged black men to become soldiers to ensure eventual full citizenship. (Two of Douglass’s own sons contributed to the war effort.) Volunteers began to respond, and in May 1863 the Government established the Bureau of Colored Troops to manage the burgeoning numbers of black soldiers. By the end of the Civil War, roughly 179,000 black men (10 percent of the Union Army) served as soldiers in the U.S. Army, and another 19,000 served in the Navy.

via Our Documents

Source: research.archives.gov

poc-creators:

SHADOW AND ACT: Al Jazeera Profiles ‘The New African Photography’ In 6-Episode Series

Al Jazeera English will premiere a new 6-episode series on Artscape, titled The New African Photography, which will document changes across the continent through the eyes of its photographers, in an effort to “take back control” of images of Africa with more nuanced, varied depictions of the continent, instead of the extremes we often get. Expect nods to pioneers like Malick Sidibé and autodidact Seydou Keïta.

The six episodes (one of which was executive produced by Viva Riva director Djo Munga) will premiere on April 22.

They are:

1. Invisible Borders (22 April 2013) Nigerian Emeka Okereke is the founder of Invisible Borders, an annual photographic project that takes African artists on a road trip across the continent. Invisible Borders follows Emeka and fellow Nigerian photographer Lilian Novo on the most recent journey, from Nigeria through Cameroon and Gabon. Emeka says, “Everywhere we go in Africa, we see our generation talking about doing things for themselves. This is the time to actually go in and experiment.”

2. The Red Dress (29 April 2013) Barbara Minishi is a leading fashion photographer in Kenya. For her latest project, Barbara swapped skinny models for normal people, photographing a wide range of women all wearing the same red dress, as a symbol of unity and national identity in the aftermath of the 2007 post-election violence in which more than 1 000 Kenyans were killed.MORE

poc-creators:

SHADOW AND ACT: Al Jazeera Profiles ‘The New African Photography’ In 6-Episode Series

Al Jazeera English will premiere a new 6-episode series on Artscape, titled The New African Photography, which will document changes across the continent through the eyes of its photographers, in an effort to “take back control” of images of Africa with more nuanced, varied depictions of the continent, instead of the extremes we often get. Expect nods to pioneers like Malick Sidibé and autodidact Seydou Keïta.
The six episodes (one of which was executive produced by Viva Riva director Djo Munga) will premiere on April 22.
They are:
1. Invisible Borders (22 April 2013) Nigerian Emeka Okereke is the founder of Invisible Borders, an annual photographic project that takes African artists on a road trip across the continent. Invisible Borders follows Emeka and fellow Nigerian photographer Lilian Novo on the most recent journey, from Nigeria through Cameroon and Gabon. Emeka says, “Everywhere we go in Africa, we see our generation talking about doing things for themselves. This is the time to actually go in and experiment.”
2. The Red Dress (29 April 2013) Barbara Minishi is a leading fashion photographer in Kenya. For her latest project, Barbara swapped skinny models for normal people, photographing a wide range of women all wearing the same red dress, as a symbol of unity and national identity in the aftermath of the 2007 post-election violence in which more than 1 000 Kenyans were killed.MORE

knowhomo:

LGBTQ* (USA) Politics You May Have Missed
LGBTQ* Same-Sex Couples Dropped from Immigration Reform Bill  This Week
If you haven’t heard, LGBTQ*individuals were dropped from equal protections under the newest immigration bill to move through congress. It is speculated that this was done to gain favor with more conservative members of Congress.
From the Washington Post:
“Today it became clear that our so-called ‘friends’ don’t have the courage or the spine to stand up for what’s right,” Felipe Sousa-Rodriguez, co-director of the social-justice organization GetEQUAL, said.
******
The team at KNOWhomo will do their best to continue to update our family and friends on the progression of this bill. In the mean time, remember, if you are able to vote, it also means your voice is important to your state representatives. Send a message with sincere thoughts and feelings to your local representative and express your right to share your need for equal representation. 


Photo Source

knowhomo:

LGBTQ* (USA) Politics You May Have Missed

LGBTQ* Same-Sex Couples Dropped from Immigration Reform Bill  This Week

If you haven’t heard, LGBTQ*individuals were dropped from equal protections under the newest immigration bill to move through congress. It is speculated that this was done to gain favor with more conservative members of Congress.

From the Washington Post:

“Today it became clear that our so-called ‘friends’ don’t have the courage or the spine to stand up for what’s right,” Felipe Sousa-Rodriguez, co-director of the social-justice organization GetEQUAL, said.

******

The team at KNOWhomo will do their best to continue to update our family and friends on the progression of this bill. In the mean time, remember, if you are able to vote, it also means your voice is important to your state representatives. Send a message with sincere thoughts and feelings to your local representative and express your right to share your need for equal representation. 

Photo Source

Constant Refinement: WHO WILL SURVIVE IN AMERICA? WHO WILL SURVIVE IN AMERICA? WHO WILL SURVIVE IN AMERICA? WHO WILL SURVIVE IN AMERICA? ⇢

3lc3lc3lc:

image

What in the fuck was that Kanye?
I told you to do some shit for the kids
You can give me your muhfucking graduation ticket right now
You will not walk across that stage, you won’t slide across that stage
Muhfucka can’t pull you across that stage Kanye
Who told you, see,…

Source: 3lc3lc3lc

Janelle Monae’s “The ArchAndroid” Movie Analysis

thehoosh:

image

This Title is no Accident. Anyone that has Surrendered their Ears to all Eighteen Tracks of Janelle Monae’s masterful debut album “The ArchAndroid” knows that the Audio Experience is so Optimal, it becomes a Visual Experience, a Thought-Provoking Experience, and most importantly an Emotion-Evoking Experience. It is clear that Janelle Monae cultivated this Album with a Message bigger than any Award, any Accolade, or any Monetary Reward. She’s giving us the Gift of Stimulating our Hearts and Minds.

Despite how many Associate her with the “Wierd,” Janelle masterfully uses her Quirks and Differences as “Superpowers,” and guides you through a Story of Self-Discovery. We’re reunited with our Heroine of the Chase Suite, the Android named Cindi Mayweather, as she continues her Frantic Escape from a Vicious Monolithic Government pursuing her and attempting to Disassemble her for Loving a Human. And though her Vessel is full of Left-Field Idiosyncrasies, she still manages to Connect with her Audience, locking into Emotions we all feel: Fear, Doubt, Desperation, that eventually blossoms into Vision, Purpose, and Self-Confidence. The Album itself is a Proclamation that we should Celebrate our Differences. Janelle proves with the ArchAndroid that no Matter how “Wierd” or against Social Doctrine we are, we all feel at the Core, and we’re capable of having Life-changing Experiences if you Embrace each other.

Read More

Heterophobia kills around 0 people a year

Source: acidarmor

the-uncensored-she:

White people hate Kanye West because he incorporates the ugly reality of being Black in Amerikkka within his lyrics. White “feminists” are pissed that Beyonce won’t let them— snorts— run her career and public image. Notice a pattern here? Black celebrities aren’t allowed to run their own damn shows without white approval…and whining.

Source: the-uncensored-she

cleophatrajones:

skyline1288:

Bookmobile circa 1950s. Photo courtesy of the State Library of North Carolina

We used to love the bookmobile when I was a kid. Haven’t seen one around these parts since the early 80’s…

cleophatrajones:

skyline1288:

Bookmobile circa 1950s. Photo courtesy of the State Library of North Carolina

We used to love the bookmobile when I was a kid. Haven’t seen one around these parts since the early 80’s…

: The Obamas Double Teamed That Ass ⇢

sonofbaldwin:

image

The First Lady and the President of the United States have officially told all the Negroes that they are not here for your lazy, hoop-dreaming, rapper-fantasizing, video-game-addicted, blame-it-on-the-white-man, media-whorish asses. They are over your excuses and they don’t want to hear it…

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Pro-revolutionary intensified hyper-jargon from an analogue boy living in a digital world. (With some nifty photos in between)


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